BLOG TOUR: The Truth about Martians by Melissa Savage

truth about martians blog tour banner

I’m delighted to be hosting today’s stop on the blog tour for The Truth about Martians by Melissa Savage. A brilliant story set against the backdrop of 1940s UFO sightings and featuring a wonderful cast of quirky characters, it’s packed full of Melissa’s trademark warmth and wit.  You can read my full review here. Melissa is a writer and therapist for children and families and today joins the blog to share a wonderful post with her thoughts on the healing power of stories. Welcome to the blog Melissa!

Story for Healing Hearts and Souls

By Melissa Savage 

In today’s everchanging world, anxiety is an increasingly prevalent diagnosis happening in our children. Which is why developing coping skills is more important today than ever before. How do we develop adaptive coping skills to traverse life’s difficulties and even more important make positive change in the world around us? There are many ways, one of which is through story. Story is who we are and how we heal. It is how we process being human on our journey through life and it always has been.

As a former child and family therapist, I’ve always been a proponent of bibliotherapy as a tool to use with children of all ages. It is the use of story for insight, growth and healing. I think as parents and protectors of children our first instinct is to shield them from all the negative things that go on in the world. However, in this information age, shielding them has become a somewhat impossible task. They live in a world that is anything but predictable or controllable or even stable or safe at times. How do we prepare our children at an appropriate age level, yet continue to protect them from what they are not ready to know? Stories can provide a safe environment to learn the challenges of finding solutions to our problems, coping with change or even standing by someone else who may be going through it. And story can inspire us.

In third grade I ordered a novel from the Scholastic book order form in school. It was called Don’t Hurt Laurie and it was a book about child abuse. I didn’t know about child abuse up until that point and the book reached me to my soul. In fourth grade I became a tutor for young children in our elementary school and in sixth grade I became a peer counselor. It was this story that also inspired me to become a child and family therapist later in life where I specialized in trauma and abuse of children.

I believe that through the safety of story, children can be exposed to life lessons in such a way that they are given the opportunity to gain insights, build coping skills, assist others and even be inspired to make a difference in the world. I see this concept being grasped by teachers, librarians and the publishing industry as well. Both Random House Children’s Books and Scholastic Books have developed resources for teachers to help enhance the learning experience when sharing issue driven books with the young reader. Whether it’s book clubs, book trailers and even empathy bingo, these resources are aimed at acceptance, insight into the differences of others, healing from loss, standing up to bullying and many other issues kids face.

I wish we lived in a time in which children didn’t need to know the things they do, however, they are exposed more now than ever. And it’s up to us to make sure they have the best tools in their toolbelt to endure, overcome and even be inspired to create positive change in the world around them.

THE TRUTH ABOUT MARTIANS by Melissa Savage out now in paperback (£6.99, Chicken House)

Find out more at www.chickenhousebooks.com and melissadsavage.com

Follow Melissa Savage on twitter @melissadsavage 

Don’t forget to check out the rest of the blog tour:

truth about martians blog tour banner

 

BLOG TOUR: Our Castle by the Sea by Lucy Strange – Guest Post

 

ocbs blog tour bannerI’m so excited to be hosting this stop on the blog tour for the brilliant second novel by Lucy Strange, Our Castle by the Sea. In a thrilling adventure set in wartime Britain, Lucy brings to life unforgettable characters against the backdrop of World War 2 and the mysterious Daughters of Stone.  You can read my full review here.  I am delighted to welcome Lucy to the blog today with a fantastic guest post reflecting on how parents are made absent in children’s literature. Welcome to the blog Lucy!

The Significant Absence of Parents in Children’s Literature by Lucy Strange

our castle by the seaIn order for children in fiction to be brave and free and have endlessly exciting escapades, it is often necessary to get their parents out of the way. In my new book, Our Castle by the Sea, the absence of Petra’s parents is at the very heart of her story. Growing up in a lighthouse with her mother, father and big sister Mags, twelve-year-old Petra has never had to face anything more frightening than the storms that sweep across the Channel and Pa’s stories about sea-monsters. But it is 1939 and the Second World War has just begun. As the local community turns against Petra’s family, accusing Mutti of spying for the enemy, and Pa and Mags become caught up in dark secrets of their own, Petra is suddenly plunged into a new lonely world in which no one can be trusted.

From the tragic to the surreal, from locking them up to bumping them off, children’s writers have found a wealth of different ways to remove the parents from the larger part of their narratives so that the protagonists can pursue their adventures unencumbered by bedtimes, naughty steps and reminders to brush their teeth.

1. Orphaned The classic choice. Being orphaned not only removes the parental safety net for a young protagonist but it also creates sympathy for their plight from the very first page. Notable orphans in children’s literature include Harry Potter, Sophie in The BFG, the Baudelaire siblings in A Series of Unfortunate Events, Anne (of Green Gables), Bod in Neil Gaiman’s The Graveyard Book (and the inspiration for his character, Mowgli), and Mary Lennox in The Secret Garden, to name but a few. A particularly strange and surreal favourite here has to be James (of Giant Peach fame), whose parents are killed by an escaped rhinoceros.

2. Holidays! Enid Blyton’s Famous Five were forever heading off for the entire summer armed only with their wits, a box of matches and a bulging picnic hamper. I’m pretty sure they wouldn’t have caught quite so many thieves and kidnappers if they’d been cooped up with Mother and Father in a Center Parcs chalet. I loved these stories when I was young – probably largely because of the extraordinary feelings of freedom and adventure they evoked.

3. Boarding school This situation offers a protagonist a degree of structure and safety along with some independence, and plenty of opportunities for rule-breaking (pranks on teachers, midnight feasts and battling three-headed monsters in secret dungeons). Malory Towers was always a favourite of mine, along with Delderton Hall in Eva Ibbotson’s beautiful book The Dragonfly Pool, Deepdean in Robin Stevens’ Murder Most Unladylike series, and of course we can’t forget our beloved Hogwarts. I would argue that Louis Sachar’s brilliant book Holes also fits into this category – though Stanley is sent to a juvenile disciplinary facility rather than a boarding school, the setting works in a worryingly similar way . . .

4. Dreams From Alice’s Adventures in Wonderland to The Wizard of Oz, dreams allow our young heroes and heroines to escape from reality (and their families) into a strange new world in which just about anything could happen. Magical portals such as wardrobes, Faraway Trees, Wishing Chairs and Phantom Tollbooths offer the same opportunities for adventures into other, more surreal and dangerous realms.

5. The Great Outdoors Oh, for the old-fashioned freedoms of a childhood spent sailing across lakes, getting lost in the woods and falling into quarries… The books of Arthur Ransome spring to mind, but also E Nesbit’s lovely classics involving bands of intrepid siblings who spend their days roaming around the countryside, such as The Railway Children or Five Children and It.

6. Evacuees With the Second World War as a backdrop, a child being sent away to live with complete strangers provides the starting point for many powerful and extraordinary stories, such as Goodnight Mr Tom by Michelle Magorian, Carrie’s War by Nina Bawden, and The Magic Bed Knob by Mary Norton (adapted into the musical film Bedknobs and Broomsticks). More recently, Emma Carroll’s wonderful Letters from the Lighthouse follows the story of young Second World War evacuees who set about untangling a rather wonderful mystery surrounding the lighthouse to which they are billeted (you can’t beat a lighthouse story, folks!).

7. Dotty Old Aunts Who Can be Hoodwinked Some children’s authors choose to pack off their young heroes to stay with helpfully neglectful relatives whose lack of supervision allows them to get up to all sorts of high jinks. Tom, of Tom’s Midnight Garden by Philippa Pearce, is staying with his aunt and uncle while quarantined with potential measles, and Minty in Helen Cresswell’s fabulous Moondial lives with her aunt while her mother is in hospital following a car accident. Perhaps aunts are actually the secret to time travel, as both these protagonists end up discovering magical portals into the past . . .

8. Invisible Parents In the Mary Poppins books by P L Travers, the parents, though present, are not really fulfilling the role of parents, so that there is room for a magical nanny to step into the breach. Roald Dahl’s Matilda also has two perfectly healthy parents, but they are so grotesquely unlikeable that we are delighted when at last they abandon our fabulous heroine, leaving her to be adopted by the heavenly Miss Honey. Sick and pre-occupied parents also fit within this category, such as those in Eloise Williams’ thrilling new ghost story Seaglass.

9. A Mission There are some things that a youngster must do alone, like fighting to the death in a gladiatorial reality show . . . The Hunger Games trilogy has been hugely successful, but lots of other children’s literature features a protagonist on an inspiring lone-quest, such as Tanya Landman’s immensely powerful Buffalo Soldier or Kiran Millwood Hargrave’s beautiful, lyrical myth, The Girl of Ink and Stars.

10. And finally… A World Without Parents! Padraig Kenny’s brilliant debut Tin, features a loveable cast of mechanicals who want nothing more than to be ‘proper’ children with real souls and families of their own. Charlie Higson’s The Enemy series features a post-apocalyptic world in which all adults have become infected with a horrible zombie-fying disease, so that the children are very much in charge of their own survival. For some young readers, an adult-free world may sound like paradise, but whether it ends up like Neverland or like Lord of the Flies depends, I imagine, on the nature of the children in question . . .

our castle by the sea

Our Castle by the Sea by Lucy Strange out now in paperback (£6.99, Chicken House)

Find out more at www.chickenhousebooks.com and follow Lucy Strange on twitter @theLucyStrange. Don’t forget to check out the rest of the blog tour:

ocbs blog tour banner

 

Guest blog: The Heart of Humour by author Kate Scott

I am delighted to welcome to the blog author Kate Scott, whose books Giant and Just Jack are two fabulous examples of funny books for children. Both stories explore important themes through humour and are hugely entertaining, but full of heart.  Kate is sharing today why she thinks funny books are one of the best ways to engage children in stories.

The Heart of Humour

“At the start of Just Jack, we find out that Jack has moved five times over the last two years. The regular upheavals are mostly due to of his mother’s work but the additional unspoken reason (until the book’s conclusion) is that they are both coping with the fallout of a divorce. Jack’s mum, in wanting to be ‘free’, doesn’t realise that she’s trapped Jack in an emotional prison. Jack is forced to reinvent himself after each move to ensure he fits in at each new school. He’s also convinced himself that there is no point in trying to make real friends because he’ll only have to lose them, just as he’s lost his dad. And deep down, Jack feels responsible for the divorce and is perhaps punishing himself subconsciously for (as he sees it) failing to keep his family together.

I wanted the story to comfort any children who have ever felt responsible for the actions of adults – or who feel that being themselves is not enough. I wanted every child to finish the story feeling more self-confident and to know that having – and being – a true friend is one of the most satisfying gifts we can give and receive. But the book aims to be accessible to a wide variety of children whether or not they’ve experienced the issues involved and, above all, to engage and entertain.

In my attempt to achieve this, the approach I used was humour. I chose humour because it’s one of the best coping mechanisms open to us as we navigate our way through life. I chose humour because if you preach to a child you lose them at the first word, but if you make them laugh they’ll be with you to the final page. And finally, I chose humour because laughing is fun.

Children’s books need voices of all kinds to meet the myriad needs and wants of their readers. But when searching out the books to give a child who has gone through a painful event, the stories they see themselves reflected in don’t have to be (entirely) serious. They can provoke a variety of emotions and reactions, including that of laughter. Laughing can help us put problems into perspective and to bear them better. Through laughter, we can convey some of the most important lessons we will ever learn. If there’s one thing I’ve learned through writing Giant and Just Jack, writing heart with humour is a very serious business indeed . . .”

Find out more about Kate at www.evewhite.co.uk or follow her on Twitter @KateScottWriter 

 

 

 

 

 

 

 

BLOG TOUR: The Truth About Lies by Tracy Darnton

61unyi1Av6L

I’m delighted to be hosting a stop on the blog tour for the fantastic debut The Truth About Lies thriller by Tracy Darnton, from Stripes Publishing.

tracy-darntonTracy won the Stripes YA Short Story Prize in 2016, run in partnership with The Bookseller’s YA Book Prize.  Her story The Letter was published in the short story anthology I’ll Be Home for Christmas.  This is her first novel and I can assure you it is a gripping, brilliant read full of suspense,exploring the issues around memory and what happens when everything you do is built on lies.  Tracy joins the blog today with a very special guest post- welcome to the blog Tracy!

Unforgettable memory tips from The Truth About Lies

“I’ve always been interested in memory and writing my YA thriller The Truth About Lies was a great opportunity to explore it further. I can still remember the poems I learnt by heart when stuck at home with measles, the sickly smell of Impulse body spray from my teenage bedroom and definitely the shock of a near accident age 11. Why do I remember those things but not where I left my keys this morning?

In writing the book I became obsessed with all the little memory techniques that you can use to improve your powers of retrieval. I wove some of them into the book by using memory games as chapter headings. These hold their own clues or hints as to what has happened in the past.

I use the teacher character Mr Desai to set memory tasks too. He quickly learns all the students’ names using a classic technique of association. Give it a go: Imagine you’ve just met my character Dan at a party. Picture him with a famous Dan – Daniel Radcliffe maybe – sitting on his shoulders. Now ‘put’ Dan in a judo suit as dan is a ranking in martial arts.

To help further, add some emotion or general silliness – Dan Radcliffe blowing you kisses or raspberries – and how you would feel about that. And boom – Dan will be very impressed that you remember who he is next time you meet (though he won’t realise the role played by Daniel Radcliffe and some kisses).

Mr Desai teaches a memory palace or loci technique, placing items to remember along the route they know well around Dartmeet College. Making the images as whacky as possible helps to engrain them.

Lastly, the class develop their own mnemonics, for instance taking the first letters of something they need to remember to make a new word or phrase like BIDMAS in maths or Richard of York gave battle in vain. I dragged myself through theory for piano with a huge set of mnemonics. But, spoiler alert, Jess receives a rather sinister one tacked to her noticeboard…

The Truth About Lies conveys some of my fascination with how we can improve our memory. Don’t forget to try it.”

 

The Truth About Lies will be published by Stripes today! You can follow Tracy on Twitter @TracyDarnton #thetruthaboutlies

With thanks to Stripes Publishing for inviting me to participate in the blog tour and sending me a review copy of this book. 

Check out the rest of the blog tour at these brilliant blogs!

The Truth About Lies blog tour.jpeg

BLOG TOUR! How to Write a Love Story by Katy Cannon

how to write a love story I’m a hopeless romantic so clearly when I heard about this book I wanted to read it!  How to Write a Love Story by young adult author Katy Cannon, tells the story of Tilly Frost, who has grown up reading her grandmother’s bestselling romance novels. When her grandmother is taken ill, Tilly has to finish her latest work and so begins a brand new chapter in her life, that will bring new meaning to the words ‘love story’.  Written with warmth, humour and a great deal of insight into teenage heartaches, How to Write a Love Story is bound to delight its readers.

I’m delighted to be hosting this stop on the blog tour to celebrate the publication of How to Write a Love Story and to welcome Katy Cannon to the blog. Katy has written several successful YA novels including Love, Lies and Lemon Pies which has been published in eight languages.

Today Katy has written a very special guest post for me to share.  What would you say to your sixteen year old self?  The benefit of hindsight can be hugely revealing and I’m very honoured to share this personal letter written by Katy to her sixteen year old self.

Continue reading

BLOG TOUR! The Wardrobe Monster by Bryony Thomson.

9781910646366 72dpi

book of the month

I’m so pleased to be participating in the blog tour today for The Wardrobe Monster, especially as it’s my current Book of the Month!

The Wardrobe Monster is a delightful story written and illustrated by Bryony Thomson, published by Old Barn Books.  The tale features a young girl Dora and her three toy friends who’ve been unable to sleep at night due to the strange and scary sound coming from the wardrobe.  No matter how much they try to ignore it they simply can’t and eventually Dora plucks up the courage, with the help of her friends, to find out just exactly who or what is making all the noise….

Continue reading

Guest blog: Margrete Lamond on The Sorry Tale of Fox and Bear

copy

The Sorry Tale of Fox and Bear by Margrete Lamond, illustrated by Heather Vallance is a quirky, bittersweet tale of friendship.  It stands out for its slightly darker tone and not necessarily happy ‘ending’ rather like one of Aesop’s fables – but perhaps give a more lifelike picture of how some friendships really can be.  In this story accompanied by stunning charcoal illustrations, Fox and Bear fall out, with Fox being a cunning trickster and Bear falling for his ploys – again and again. Bear realises he too can play the trickster and he sets about to teach Fox a lesson. Hare and Rooster join in with their opinions on Fox’s trickery giving Bear even more desire to get back at Fox.  But as you might imagine, Bear doesn’t feel quite so good afterwards and wonders if he made the right decision…..

Children are often far more intelligent and resilient than they’re given credit for and I can imagine many heartfelt and heated opinions if you read this aloud to your class. The Sorry Tale of Fox and Bear takes off the rose-tinted glasses and shows how sometimes ‘friends’ can be mean, sometimes they can let us down and sometimes we can let our friends down. Perhaps the point about being friends is accepting friendship won’t always be perfect and that forgiveness is central to ensure its longevity.  Margrete Lamond

Today to share more insight into to the inspiration behind this story, I’m really pleased to welcome to the blog author Margrete Lamond, who I am sure will have you reaching for your copy to re read or ordering one from the bookshop immediately! Welcome to the blog Margrete!

“The Sorry Tale of Fox and Bear is an aggregate of several Norwegian folk-tales. It is also a mash-up of scenarios, an introduction of unrelated characters and relationships, and a reinvention of the motivations of the main players Bear, Fox, Rooster and Hare. Each borrowed tale, and each character, has been twisted, moulded, pummelled and reshaped. Even so, the original sources remain clear.

I can’t resist retelling a folk tale. Retelling, for me, is the ultimate writerly indulgence. The bones of the story have been established and much of the brain-grinding groundwork has already been done. All I need do is sit down and play with language, sentences, patterns and rhythms and sounds, invest the story with an uneasy voice, suggest a disturbing undertow and – O ultimate joy – craft an ambiguous ending. Not to mention play around with the hopes, desires and motivations of the characters. All this, without once having to agonise over fundamental plotting. Tweaking, yes. Retelling, yes. Giving the original tales a thoroughgoing structural edit, yes. Starting with a blank page, no.

At this level of indulgence – where I sport in a sandbox full of toys I didn’t pay for – any folk tale is fun to retell, no matter how well-known, well worn, or even worn out it may be. I will happily find ways to retell Red Riding Hood or Goldilocks and the Three Bears (Little Hare 2015), for example, so that the protagonists’ motivations are a little more twisted and the endings a little more dissonant than the originals were intended to be. But I am most happy when I play with tales that are less well-known. Lesser-known tales offer adventures into the complete unknown, into scenarios that often are decidedly peculiar, and acquaint us with erratic, eccentric and psychopathic characters whose behaviours require not a little agility of invention to render them narratively plausible, at least to the contemporary reader.

Most importantly of all, lesser-known traditional tales offer ranges and nuances of emotion rarely encountered in the accepted folk-tale canon. Self-delusion, psychosis, braggadocio, falsehood, vaulting ambition, errant foolishness, unassuageable guilt … such riches for those who care to dig them out! When Einstein declared that if we wanted more intelligent children we should read them more fairy tales, he must surely have been talking about this breadth and depth and richness of emotional experience that traditional tales offer.

It was in this vein of seeking emotional breadth that I sourced the stories for The Sorry Tale of Fox and Bear. They are decidedly gritty, if not downright harsh and violent. The bad guys sometimes win, the good guys are sometimes bad, and the really bad guys are really bad in cruel, underhanded and unpunished ways. These elements remain in my retelling. They are perhaps even highlighted, as a result of being woven into a theme of psychological danger in friendship. I’ve deliberately drawn a dark, dark world, but also hope I have suggested the warmth of sun gleaming through the clouds. Bear’s deep and simple wisdom, Fox’s contrition and fundamental loyalty, the unspoken love that reverberates between them even in estrangement … each of these, and more, suggests that even in our own confusing world, forgiveness, love and loyalty offer ongoing understanding and hope.”

Margrete Lamond © 2018

copy

Margrete Lamond is a publisher of Little Hare Books in Australia, author of many modern re-tellings of traditional tales.  She is passionate believer in quality artwork in books for young readers.

Heather Vallance is a studio artist who has taught in remote communities in Australia and regional schools and galleries.

If you would like to find out more visit www.oldbarnbooks.com With thanks to Old Barn Books for sending me this book to review and Liz Scott for organising this guest blog.