How many times have you opened a book and marvelled at the illustrations inside? I often do and feel somewhat envious of someone who can pick up a pencil, pen or paintbrush and create a little bit of magic, bringing to life an authors’ words!
James Brown is just such a person and his delightful illustrations in Al’s Awesome Science: Egg-speriments! written by Jane Clarke demonstrate how words and pictures work together to capture the imagination.
Today on the blog, James is sharing his experiences of working on Al’s Awesome Science and insight into his illustration techniques. Welcome to the blog James!
“Pictures don’t just trigger the imagination, they fire it up. And in particular for the Al’s Awesome Science series, which features lots of science experiments for young readers to try at home, it was important to get things ‘spot on’. How else could readers give the experiments a go? I think that’s what drew me most to it – the buoyancy, the action and how to convey this visually to readers.
I remember as a child being a bit disappointed when images were repeated in books or when there were insufficient drawings. Al’s Awesome Science is filled with pictures of all the key hilarious moments in the story, but the series also allows for the ‘extras’ – awesome facts and experiments – the refreshing bits and bobs which the designer Becky places so quirkily throughout each book. I admit the experiment pages bring out the kid in me. I like doing them snappily, like I used to do in my homework diary at school. I was forever doodling. I used to Tipp-Ex the inside lid of my pencil case and draw repeatedly on it. Once it was filled, I’d blob over it and start again. If it was a caricature of the teacher I could always hide the evidence!
When I’m out and about, especially on trains, I love using sketchbooks. I’ve got lots of Moleskin ones, a different colour per project. But, I confess that, in the main, when I’m working up an idea, character or spread, I use everyday plain A4 white paper – and reams of it! Squiggle, scratch, swirl, sweep. I’m not sure how many other illustrators do this, but I also enjoy sketching in biro first. It’s all about getting the right shape and movement – those ‘unprecious’ sketches and scorings loosen up my initial drawings. Now I understand why editors always jump to the back of portfolios to find the sketchy stuff!
Then, from this sketchy beginning, I start refining, trying to retain some of that initial energy. I think that’s why my other favourite stage is watercolour (which I save ‘til last). No matter how adept you might think you are, watercolour has its own mind and it can sometimes surprise you. Often the happy accidents are the ones that add more character, either to clothing or backgrounds.
Using my lightbox really helps to overlay and position. I do less-rough roughs on my iPad, using Procreate, then crayon, watercolour and gouache for the finals. I always aim to do the final artwork in character batches, for continuity, and have whole afternoons or evenings on just one person. You really get to ‘know’ them that way!
Sometimes characters pop up first time around. Einstein, for instance, is very similar to the first sketch I drew. I was given free rein, which is always exciting. I knew he had to be big, hairy and animated. Immediately I thought of THE Einstein and gave him a big, bushy moustache and scraggly hair. The lolling tongue and sideways eyes gave him just the look I was after. Mr Boffin is basically me (if I ate my spinach, drank umpteen protein shakes and actually went to the gym, that is). Mrs Good is a take on my mum (sorry, Mum!). But Mr Good, who was a little portly at first, took a bit of slimming down… The twins Lottie and Al were a little too old at first but soon lost a couple of years.
The freedom to try things out has been the most splendid aspect of illustrating this series. It’s very much a two-way conversation between me and the creative team. We always bounce ideas back and forth! I think flexibility and being open to ideas is important. My editor Natascha even sends me videos of her son doing the experiments! Then, BINGO! I can picture it and so too (hopefully) can the young scientists reading it with their own sketches and diagrams and oodles of doodles.
Al’s Awesome Science: Egg-speriments! by Jane Clarke, illustrated by James Brown is out now, £6.99 paperback (published by Five Quills). Look out for more fun and experiments with Al and Lottie in book two, Splash Down!, coming spring 2018!
With thanks to Catherine Ward and Five Quills for sending me this book to review. Find out more about the illustrator at www.jamesbrownillustration.com.