I’m delighted to be hosting this stop on the blog tour for You’re Safe with Me, a stunning picture book which celebrates the wonder of nature. I think we can all remember being frightened of thunder storms when we were little and this story captures that feeling and how a little bit of comfort and wisdom can allay our fears. The beautiful, intricate illustrations will mesmerise young readers and the poetic narrative will calm their minds, making this a perfect bedtime story.
The Branford Boase Book Award is an absolutely wonderful celebration of writing and is given annually to the author of an outstanding debut novel for children. However, not only does it honour brilliant authors but also the super-talented editors who work with them. It really is a special award and having been a supporter of it over the last few years I’m delighted to share the shortlist on the blog. Social media is buzzing with congratulations for the nominees and I’m looking forward to reading and reviewing the books over the coming weeks!
I’m so pleased to be participating in the blog tour today for The Wardrobe Monster, especially as it’s my current Book of the Month!
The Wardrobe Monster is a delightful story written and illustrated by Bryony Thomson, published by Old Barn Books. The tale features a young girl Dora and her three toy friends who’ve been unable to sleep at night due to the strange and scary sound coming from the wardrobe. No matter how much they try to ignore it they simply can’t and eventually Dora plucks up the courage, with the help of her friends, to find out just exactly who or what is making all the noise….
I am hugely excited to be participating in the Children’s Book Award official blog tour in the books for older readers category. It’s the only national book award to be voted for entirely by children from start to finish, so I can imagine how wonderful it must feel as an author to be nominated by the readers. Today I am sharing I Have No Secrets by Penny Joelson, a London based author who says: “I was delighted when I heard that ‘I Have No Secrets’ had made the top ten for this award – one of three books in the older children category. It is particularly special as I know it is an award where the voting is entirely by children and young people themselves. I enjoyed writing this book so much and it is wonderful to think about so many young people reading it now. I can only say – I am utterly thrilled!”
I Have No Secrets, published by Electric Monkey features fourteen year old Jemma, who has severe cerebral palsy. Unable to communicate or move, she relies on her family and carer for everything. She has a sharp brain and inquisitive nature, and knows all sorts of things about everyone. But when she is confronted with a terrible secret, she is utterly powerless to do anything. Though that might be about to change…
I’m thrilled to be hosting today’s stop on the blog tour for fantastic picture book Nimesh the Adventurer, a debut for author Ranjit Singh who is a British children’s book author of East Indian heritage. Nimesh the Adventurer is a wonderful story about a little boy with a BIG imagination. Featuring striking illustrations by Mehrdokht Amini, the story begins when the school day has finished and it’s time for Nimesh to walk home from school. But this is no ordinary walk home – for there are dragons and sharks and all manner of adventures to be had by little Nimesh, bringing the world around him to life in the most fantastical way! It’s a wonderful celebration of the places our imagination can take us, and how magical the world can be through a child’s eyes.
Make More Noise! features short stories by ten fabulous female authors. It is a celebration of inspirational girls and women in honour of the centenary anniversary of women’s suffrage. Published by Nosy Crow, to mark the passing of the Representation of the People Act in February 1918, some of the stories are inspired by real events and real people, some are totally imagined; but they all hold freedom and equality at their heart. Written by some of our most favourite female authors there are contributions from M. G Leonard, Patrice Lawrence, Katherine Woodfine and Kiran Millwood Hargrave who comments: “I’m honoured to be contributing to an anthology that celebrates girls in all their complexity and world-changing power.”
The thing about reading short stories is that you want more and you want to know what happens to the characters – a sign of really great storytelling! Where do they end up? Do they manage to achieve their goals? Do they defeat their persecutors? Do they finally get the freedom they so desire? That was certainly the case for me reading these stories. With settings ranging from the East End slums in the 1800s to an unusual ghost story to an intrepid bike ride around the world, each story holds a unique insight into the lives of girls and women through the ages.
I particularly enjoyed Tea and Jam by Katharine Woodfine with a lovely character Eveline trying to do her best to be good at her job of house maid and “not get ideas above her station”. However when she discovers that there are libraries where books are free and there are activities to help you continue your education, the idea of freedom is suddenly much more appealing. I wonder whether she got there in the end?! I also enjoyed The Green-Hearted Girl by Kiran Millwood Hargrave which brought to life a beautiful, fantastical world created by a great flood where tree people inhabit the branches of every kind of tree. Again, I wanted to know what happened next and whether the green hearted-girl was able to unite the treeple!
Each of the stories in this collection has a unique perspective on freedom and the bravery of women and girls to achieve equality and stand up for themselves whether on a personal level or contributing to a national cause. Make More Noise! is a brilliant book to introduce the ideas behind women’s suffrage to a new generation and to celebrate the sacrifices that were made a hundred years ago so women can vote today.
With thanks to Nosy Crow for sending me a copy of this book to review.
The Sorry Tale of Fox and Bear by Margrete Lamond, illustrated by Heather Vallance is a quirky, bittersweet tale of friendship. It stands out for its slightly darker tone and not necessarily happy ‘ending’ rather like one of Aesop’s fables – but perhaps give a more lifelike picture of how some friendships really can be. In this story accompanied by stunning charcoal illustrations, Fox and Bear fall out, with Fox being a cunning trickster and Bear falling for his ploys – again and again. Bear realises he too can play the trickster and he sets about to teach Fox a lesson. Hare and Rooster join in with their opinions on Fox’s trickery giving Bear even more desire to get back at Fox. But as you might imagine, Bear doesn’t feel quite so good afterwards and wonders if he made the right decision…..
Children are often far more intelligent and resilient than they’re given credit for and I can imagine many heartfelt and heated opinions if you read this aloud to your class. The Sorry Tale of Fox and Bear takes off the rose-tinted glasses and shows how sometimes ‘friends’ can be mean, sometimes they can let us down and sometimes we can let our friends down. Perhaps the point about being friends is accepting friendship won’t always be perfect and that forgiveness is central to ensure its longevity.
Today to share more insight into to the inspiration behind this story, I’m really pleased to welcome to the blog author Margrete Lamond, who I am sure will have you reaching for your copy to re read or ordering one from the bookshop immediately! Welcome to the blog Margrete!
“The Sorry Tale of Fox and Bear is an aggregate of several Norwegian folk-tales. It is also a mash-up of scenarios, an introduction of unrelated characters and relationships, and a reinvention of the motivations of the main players Bear, Fox, Rooster and Hare. Each borrowed tale, and each character, has been twisted, moulded, pummelled and reshaped. Even so, the original sources remain clear.
I can’t resist retelling a folk tale. Retelling, for me, is the ultimate writerly indulgence. The bones of the story have been established and much of the brain-grinding groundwork has already been done. All I need do is sit down and play with language, sentences, patterns and rhythms and sounds, invest the story with an uneasy voice, suggest a disturbing undertow and – O ultimate joy – craft an ambiguous ending. Not to mention play around with the hopes, desires and motivations of the characters. All this, without once having to agonise over fundamental plotting. Tweaking, yes. Retelling, yes. Giving the original tales a thoroughgoing structural edit, yes. Starting with a blank page, no.
At this level of indulgence – where I sport in a sandbox full of toys I didn’t pay for – any folk tale is fun to retell, no matter how well-known, well worn, or even worn out it may be. I will happily find ways to retell Red Riding Hood or Goldilocks and the Three Bears (Little Hare 2015), for example, so that the protagonists’ motivations are a little more twisted and the endings a little more dissonant than the originals were intended to be. But I am most happy when I play with tales that are less well-known. Lesser-known tales offer adventures into the complete unknown, into scenarios that often are decidedly peculiar, and acquaint us with erratic, eccentric and psychopathic characters whose behaviours require not a little agility of invention to render them narratively plausible, at least to the contemporary reader.
Most importantly of all, lesser-known traditional tales offer ranges and nuances of emotion rarely encountered in the accepted folk-tale canon. Self-delusion, psychosis, braggadocio, falsehood, vaulting ambition, errant foolishness, unassuageable guilt … such riches for those who care to dig them out! When Einstein declared that if we wanted more intelligent children we should read them more fairy tales, he must surely have been talking about this breadth and depth and richness of emotional experience that traditional tales offer.
It was in this vein of seeking emotional breadth that I sourced the stories for The Sorry Tale of Fox and Bear. They are decidedly gritty, if not downright harsh and violent. The bad guys sometimes win, the good guys are sometimes bad, and the really bad guys are really bad in cruel, underhanded and unpunished ways. These elements remain in my retelling. They are perhaps even highlighted, as a result of being woven into a theme of psychological danger in friendship. I’ve deliberately drawn a dark, dark world, but also hope I have suggested the warmth of sun gleaming through the clouds. Bear’s deep and simple wisdom, Fox’s contrition and fundamental loyalty, the unspoken love that reverberates between them even in estrangement … each of these, and more, suggests that even in our own confusing world, forgiveness, love and loyalty offer ongoing understanding and hope.”
Margrete Lamond © 2018
Margrete Lamond is a publisher of Little Hare Books in Australia, author of many modern re-tellings of traditional tales. She is passionate believer in quality artwork in books for young readers.
Heather Vallance is a studio artist who has taught in remote communities in Australia and regional schools and galleries.
If you would like to find out more visit www.oldbarnbooks.com With thanks to Old Barn Books for sending me this book to review and Liz Scott for organising this guest blog.